"Death in Venice" by Benjamin Britten after Thomas Manns's novel in the context of original interpretations

Ягодзинська, Ірина Олександрівна (2012) "Death in Venice" by Benjamin Britten after Thomas Manns's novel in the context of original interpretations Часопис Національної музичної академії України імені П.І. Чайковського: науковий журнал. pp. 68-75. ISSN 2414-052X

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Abstract

The article is devoted to an essential problem of modern semiotics and musicology, i.e. the interaction of verbal and nonverbal as a sense-generating factor in an artwork. Three artistic renditions of T. Mann’s famous novella “Death in Venice”, all different in genre, (a motion picture, a ballet, an opera and its stage version) are analyzed to expose peculiarities of realization of musical potential of a literary text. For each of the versions semantic fields are outlined. Intertextual connections between the B. Britten’s opera and other constituents of the “Death in Venice” metatext are shown.

Item Type: Article
Uncontrolled Keywords: leitmotif, apollonic and bacchic, sense, musical dramaturgy;
Subjects: Articles in journals > Фахові (входять до переліку фахових, затверджений МОН)
Divisions: Institutes > Institute of Arts > Chair of Theory and Music Art Methodology
Depositing User: Викладач Ірина Олександрівна Ягодзинська
Date Deposited: 19 May 2017 11:21
Last Modified: 19 May 2017 11:21
URI: http://elibrary.kubg.edu.ua/id/eprint/19614

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