On the established canon of the last portrait of T. Shevchenko in the context of Shevchenko-centered research of the soviet and post-soviet period.

Шовкопляс, Галина Євгенівна (2014) On the established canon of the last portrait of T. Shevchenko in the context of Shevchenko-centered research of the soviet and post-soviet period. Українська література в загальноосвітній школі. Інститут Педагогіки НАПН України. (8). pp. 6-9.

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Abstract

The article analyzes the creation of the canon “people’s” image of T. Shevchenko, which was visualized in the art piece by Ivan Kramskiy “The portrait of the Ukrainian writer and painter, Taras Shevchenko” (1871). The destruction of the stagnant image – the mask of the “Kobzar”, the grim old man in a wool hat and winter coat, not only creates the opportunity to shed light on many other of his images and personifications, but also integrates Shevchenko into the modern life of Ukraine as a national poet.

Item Type: Article
Uncontrolled Keywords: Portrait; self-portrait; canon; visual; the “people’s” image of Shevchenko; personification; literary mask; mask-image of the Kobzar; Russian-speaking short stories; the meaning of Shevchenko’s poetry and personality as a national poet.
Subjects: Наукові конференції > Всеукраїнські
Articles in journals > Інші (не входять ні до фахових, ні до наукометричних баз)
Divisions: Institutes > Humanitarian Institute > Chair of Ukrainian Literature and Comparative Studies
Institutes > Humanitarian Institute > Chair of the Ukrainian Language
Institutes > Humanitarian Institute > НДЛ літературознавства
Depositing User: доцент Галина Євгенівна Шовкопляс
Date Deposited: 06 Mar 2015 10:39
Last Modified: 28 Sep 2015 12:45
URI: http://elibrary.kubg.edu.ua/id/eprint/7407

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