Comparative analysis of main theoretical positions of art of the classical Avant-garde in Ukrainian painting of the first third of the 20th century and contemporary art of Ukraine of the beginning of the 21st century

Карпенко, Ольга Валер'янівна (2016) Comparative analysis of main theoretical positions of art of the classical Avant-garde in Ukrainian painting of the first third of the 20th century and contemporary art of Ukraine of the beginning of the 21st century Арт-простір (2). pp. 81-86. ISSN 2519-4135

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Abstract

The article is attempt to analyze the main aspects of contemporary art, positioning itself as revolutionary one, and the art of the classical Avant-garde, recognized as the artistic revolution at the beginning of the last century. It examines evolution of art development from Impressionists experiments when artists refused realistic manner through Post-impressionism, analytical Cubism, Neoprimitivism, alogism, and finally abstract art. It briefly characterises contemporary (actual) art tendencies and attempts of phylosophical justification of the ideology of contemporary art.

Item Type: Article
Uncontrolled Keywords: Avant-garde; contemporary art; illogism; analytical Cubism; abstract art; Impressionism; Modernism; Neoprimitivism; Post-impressionism; Postmodernism; Romanticism; modern art;
Subjects: Статті у журналах > Збірники наукових праць
Divisions: Інститути > Інститут мистецтв > Кафедра образотворчого мистецтва
Depositing User: Валерій Смуров
Date Deposited: 13 Feb 2017 13:57
Last Modified: 13 Feb 2017 13:57
URI: https://elibrary.kubg.edu.ua/id/eprint/18728

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