Карпенко, Ольга Валер'янівна (2016) Comparative analysis of main theoretical positions of art of the classical Avant-garde in Ukrainian painting of the first third of the 20th century and contemporary art of Ukraine of the beginning of the 21st century Арт-простір (2). pp. 81-86. ISSN 2519-4135
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Abstract
The article is attempt to analyze the main aspects of contemporary art, positioning itself as revolutionary one, and the art of the classical Avant-garde, recognized as the artistic revolution at the beginning of the last century. It examines evolution of art development from Impressionists experiments when artists refused realistic manner through Post-impressionism, analytical Cubism, Neoprimitivism, alogism, and finally abstract art. It briefly characterises contemporary (actual) art tendencies and attempts of phylosophical justification of the ideology of contemporary art.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | Avant-garde; contemporary art; illogism; analytical Cubism; abstract art; Impressionism; Modernism; Neoprimitivism; Post-impressionism; Postmodernism; Romanticism; modern art; |
| Subjects: | Це архівна тематика Київського університету імені Бориса Грінченка > Статті у журналах > Збірники наукових праць |
| Divisions: | Це архівні підрозділи Київського університету імені Бориса Грінченка > Факультет образотворчого мистецтва і дизайну > Кафедра образотворчого мистецтва |
| Depositing User: | Валерій Смуров |
| Date Deposited: | 13 Feb 2017 13:57 |
| Last Modified: | 13 Feb 2017 13:57 |
| URI: | https://elibrary.kubg.edu.ua/id/eprint/18728 |
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