Modern arrangements and transcriptions of pieces for accordion in terms of sound timbre instruments specificity

Стрельченко, Костянтин Мартинович (2017) Modern arrangements and transcriptions of pieces for accordion in terms of sound timbre instruments specificity Музичне мистецтво в освітологічному дискурсі (2). pp. 92-96. ISSN 2518-766Х

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The article is devoted to comparative analysis of the characteristics and differences of sound and timbral features of accordion with other musical instruments in the creative process of arrangement and transcription of  original music. This article has examples of  some musical pieces for  the  practical examination of  key aspects of this question. There were always many aspects of the problems of concert performance of accordionists. However, the problem of music genres of repertoire, that helps to achieve impressive effect of performance and sense of confidence in broader stylistic possibilities of the instrument, is of special importance today. Therefore, the purpose of  article is  more extended consideration of  the  issue of  uncomfortable acoustical sounding of  accordion in a considerable number of episodes of pieces of music that are not created for this instrument. The concert program of  contemporary accordionists, which has the  arrangements and transcriptions for  accordion of  original pieces of  music, is  complete and perfect. Expanding of  the  stylistic frontiers of repertoire and increase capabilities of performance of classical, pop and jazz music of different genres and styles will solve many problems associated with the increasing popularity of accordion. Today the need for the use of accordion as original instrument in musicians’ performance practice is urgent. Transcriptions and arrangements are aimed at preparation and adaptation of the original music to perform for another ensemble or other instrument for which the composition was not originally created. The main task is  to facilitate the  articulation of  sound palette of  the  accordion. It  gives the  opportunity to  create transcription and arrangement in such way that the listener perceives the piece of music as music written for musical instrument that he hears at that time. To perceive and understandand original music, it is advisable to listen to it from the best professional music groups and musicians. Such performance as usual makes a great impression and expands the imagination but in  their original genre. When a  musician plays their arrangement he recalls what he heard and experienced when he was at the music hall. Naturally the creative personality wishes to recreate from what he was amazed, but he must play the  music written for  other musical instruments and groups using a different approach to understanding and implementing the image of high performance art.

Item Type: Article
Uncontrolled Keywords: accompaniment; accordion; arrangement; timbre; musical sketch; transcription; repertoire; genre
Subjects: Це архівна тематика Київського університету імені Бориса Грінченка > Статті у журналах > Наукові (входять до інших наукометричних баз, крім перерахованих, мають ISSN, DOI, індекс цитування)
Divisions: Це архівні підрозділи Київського університету імені Бориса Грінченка > Факультет музичного мистецтва і хореографії > Кафедра інструментально-виконавської майстерності
Depositing User: Валерій Смуров
Date Deposited: 17 Jan 2018 07:25
Last Modified: 17 Jan 2018 07:25

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