Харченко, Олена Іванівна (2013) Kyiv sacred music concert in terms of music critics (based on reviews of O.Kanievtsova in the newspaper “Kyivlianin” 1900-1917) Вісник НАКККіМ (4). pp. 210-215.
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Abstract
The article investigates the practice of sacred music concerts in Kiev during 1900-1917. Peculiarities of listeners’ attitude to sacred music concerts, their repertoire tastes, and issues on quality of sacred music performance in Kyiv in comparison with the similar Russian concerts at the turn of XXth century are presented in details in the newspaper “Kyivlianin” following the reviews of O.Kanievtsova, a musical critic. Ukrainian musical culture of the late XIX - early decades of the XXth century is extremely complex, multilateral and contradictory phenomenon which is still not fully studied and understood by researchers. Thorough investigation of musical-performing life in Ukraine, and, especially in Kyiv, which is known to be the main centre of choral performance culture of the period is impossible without sacred music concerts.
| Item Type: | Article |
|---|---|
| Uncontrolled Keywords: | concerts of sacred music (“spiritual concerts”), “ecclesiasticism” of spiritual music, quality of performance, repertoire taste, musical concert atmosphere. |
| Subjects: | Це архівна тематика Київського університету імені Бориса Грінченка > Статті у журналах > Фахові (входять до переліку фахових, затверджений МОН) |
| Divisions: | Це архівні підрозділи Київського університету імені Бориса Грінченка > Інститут післядипломної освіти > Кафедра дошкільної та початкової освіти |
| Depositing User: | Вікторія Маковська |
| Date Deposited: | 22 Jan 2014 13:48 |
| Last Modified: | 06 Jun 2016 12:48 |
| URI: | https://elibrary.kubg.edu.ua/id/eprint/3209 |
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