N. Stetsyun "Spanish concert" for guitar with orchestra: to the question of creation of a national repertoire in the field of guitar art

Тущенко, Михайло Михайлович (2019) N. Stetsyun "Spanish concert" for guitar with orchestra: to the question of creation of a national repertoire in the field of guitar art Мистецтвознавчі записки (35). pp. 287-291.

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Abstract

The purpose of the article is a detailed analysis of the “Spanish concert” for guitar and Nikolay Stetsyun’s Symphony Orchestra, the disclosure of his intonational and compositional unity and the features of the composer’s creative method. The researcher pays particular attention to the work’s stylistics in order to show the combination of the two national schools’ traits - Ukrainian and Spanish (flamenco). The stylistic, composite and intonational analysis of the work was chosen as the method of the research. The relevance of the work lies in its compliance with the contemporary needs of national art and education, namely, the emergence of studies of the newest guitar repertoire in order to popularize the work of modern Ukrainian composers. Scientific novelty: this work is the first attempt of a detailed analysis of the "Spanish Concert" for a guitar with the N. Stetsun's Symphony Orchestra in Ukrainian guitar. Conclusions. Therefore, we can confidently assert that the last quarter of the twentieth century was the newest period of development of the national guitar art, and the “Spanish Concerto” by Nikolay Stetsyun is one of the brightest examples of the modern Ukrainian concert for guitar and orchestra, in which the search for alternative canonical solutions becomes the optimal means for the manifestation of individual position of the artist, the field of artistic experiment. The analyzed data allows us to conclude that the style of the work combines the features of two national schools, which makes it possible to reveal the features of the unity of musical cultures at different levels: dramaturgical, compositional, intonational. Summarizing all the above, we can note that the author’s vision of the national specificity of the figurative sphere of this work is realized through the modern musical language. The composer managed to use the expressive and technical capabilities of the guitar, the methods of the register-timbre contrast, the melodic nature of the instrument.

Item Type:	Article
Uncontrolled Keywords:	“Spanish Concert” N. Stetsyun; Сoncert for guitar with a symphonic orchestra; Guitar art; National repertoire; Creative method of the composer; Guitar in Ukraine; instrumental performances
Subjects:	Це архівна тематика Київського університету імені Бориса Грінченка > Статті у журналах > Фахові (входять до переліку фахових, затверджений МОН)
Divisions:	Це архівні підрозділи Київського університету імені Бориса Грінченка > Факультет музичного мистецтва і хореографії > Кафедра інструментально-виконавської майстерності
Depositing User:	ст.викл. Михайло Михайлович Тущенко
Date Deposited:	08 Feb 2022 11:06
Last Modified:	08 Feb 2022 11:06
URI:	https://elibrary.kubg.edu.ua/id/eprint/40730

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