Choice factor: conceps of national culture, ideological circumlocution and allusion in the system of academicism (choral creativity of Ukrainian composers of the 1930s)

Костюк, Наталія Олександрівна (2023) Choice factor: conceps of national culture, ideological circumlocution and allusion in the system of academicism (choral creativity of Ukrainian composers of the 1930s) Колективна (три і більше авторів). Musical art and linguistic thesaurus of world culture: Ukraine’s experience Scientific monograph. Baltija Publishing, Latvia, Riga.

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Анотація

The current stage of development of Ukrainian music studies is indicative of many real discoveries, and a significant part of them are made of the material of various historical periods, and not only the newest music and its trends. Particular interest is the study of various hidden layers in music is often linked to different ideological concepts. His reasons can be explained by the peculiarities of the composer’s worldview, the specificity of the actual cultural context, the historical past of his native land, etc. In the case of addressing the academic layer of choral creativity, the composer’s approach to the poetic basis in the aspect of introducing special shades into a holistic idea is of particular importance. Understanding such an approach is not only the basis for the detection of the researcher of the plurality of meanings of the holistic conception, but sometimes even and the “parallel semantic layer”, expressed with music symbols, special allusions and other techniques. The idea behind this article is based on the assumption of how important these hidden layers of information are. As far as deep are the cultural concepts used in them and the extent to which original solutions are demonstrated by composers in the formation of circumlocution and allusions. The analysis of such notional complexes leads to the conclusion that the factor of ideological choice is inherent in the choral works of Ukrainian composers of the 1930s. As a result, in the choral works of this period were found the properties that allows to talk about certain parallels in music different political areas, and not just opposing ideological doctrines and socio-political priorities. In contrast to the fundamental research of general style and genre problems, as well as the dynamics of the creativity of Ukrainian composers in their individual creative and biographical context, the development of the theme of choral creativity in this decade and in this aspect (that is, given the identification of parallels, analogies and even some general trends) has been initiated recently and is therefore presented only in separate articles. The study of this aspect is a promising task of Ukrainian music studies, as it provides grounds for rethinking trends and achievements in the creative process of that time, as it would provide grounds for a rethinking of the trends and achievements of the creative process of the time on a national and European scale.

Тип елементу :	Монографія (Колективна (три і більше авторів))
Додаткова інформація:	DOI https://doi.org/10.30525/978-9934-26-293-7-9
Ключові слова:	українське музикознавство; концепти національної культури; ідеологічна іномовність; алюзія; система академізму; хорова творчість; українські композитори; 1930-ті роки
Типологія:	Це архівна тематика Київського університету імені Бориса Грінченка > Монографії > Видані за кордоном (окрім країн СНД)
Підрозділи:	Це архівні підрозділи Київського університету імені Бориса Грінченка > Факультет музичного мистецтва і хореографії > Кафедра музикознавства та музичної освіти
Користувач, що депонує:	доктор мис Наталія Олександрівна Костюк
Дата внесення:	18 Квіт 2023 08:14
Останні зміни:	19 Квіт 2023 11:30
URI:	https://elibrary.kubg.edu.ua/id/eprint/44799

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