Vocal-ensemble culture as social interaction

Тетеря, Віктор Михайлович and Каблова, Тетяна Борисівна and Малинка, Юлія Григорівна (2022) Vocal-ensemble culture as social interaction АРТ-платФОРМА (2 (6)). pp. 11-26. ISSN (Print): 2708-5317; (Online): 2708-5325

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Abstract

The article examines the specifics of vocal-ensemble culture, which is based on communication concepts. Thoughts on the importance of social factors that make up not only the external space in which the vocal-ensemble art is directly realized, but also the interpersonal space between the members of the collective are assumed. The stages of the study of Ukrainian vocal collective performance are partially characterized and emphasis is placed on chamberization as a factor in preserving the individual qualities of both the work, which is the carrier of the socio-historical continuum of the composer and the time of its creation, and of the performing vocal-ensemble collective. The main condition is the acceptance by the ensemble members of the phenomenon of group identity, where there are clearly differentiated tasks for each participant, but they all share common goals that are determined by social factors. It is noted that they become the basis for the relationship of mutual adjustment, which allows to consider the collective musical behavior as an affective attitude and level of involvement among the participants, where those who participate have a sense of commonality, namely, a common goal and meaning. An important fact is the transfer of sense-making as a process from the structure of a musical work to the relationship between performers. It was found that in such conditions, self-awareness of oneself not only as a leader-soloist, but as a part of a general whole allows one to develop the ability to listen to other performers and respond in time to changes that may occur both in the rehearsal process and in concert performance. That is, it is about the presence of awareness and involvement in the performance of one's own part and the part as a part of the work. The conclusions indicate that the mutual relations between the members of the ensemble become the basis for the formation of unity in the vocal ensemble in the case of awareness of social interaction and social factors. Vocal-ensemble culture is defined as a procedurally developed form of creativity, where the subjective features of performers in accordance with mutual adjustment serve the purpose of optimal functioning of ensemble members.

Item Type: Article
Uncontrolled Keywords: vocal-ensemble culture; social factors; interaction; functioning; ensemble members; group work; interpersonal skills
Subjects: Це архівна тематика Київського університету імені Бориса Грінченка > Статті у наукометричних базах > Erih Plus
Це архівна тематика Київського університету імені Бориса Грінченка > Статті у наукометричних базах > Index Copernicus
Це архівна тематика Київського університету імені Бориса Грінченка > Статті у журналах > Фахові (входять до переліку фахових, затверджений МОН)
Divisions: Це архівні підрозділи Київського університету імені Бориса Грінченка > Факультет музичного мистецтва і хореографії > Кафедра академічного та естрадного вокалу
Depositing User: Віктор Михайлович Тетеря
Date Deposited: 08 May 2023 13:26
Last Modified: 08 May 2023 13:26
URI: https://elibrary.kubg.edu.ua/id/eprint/44987

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