Pecularities of performance strategies in Astor Piazzolla's chamber and concert genres: from Histoire du Tango to Double Concerto

Гумінюк, Станіслав Павлович and Косинець, Іван Іванович and Охманюк, Віталій Федорович (2025) Pecularities of performance strategies in Astor Piazzolla's chamber and concert genres: from Histoire du Tango to Double Concerto Fine Art and Culture Studies, 1 (3). ISSN 2786-5428

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Abstract

This article examines the peculiarities of performance strategies in Astor Piazzolla’s chamber and concert works, with a particular focus on the instrumental dialogue. The interpretational aspects of the composer’s works are analyzed, emphasizing the interaction of the guitar with other instruments in such pieces as Histoire du Tango and Double Concerto. The role of the guitar in ensemble performance is also highlighted, along with its collaboration with other instruments, including the flute, bandoneon, and strings. The article further explores the performance approaches to various Piazzolla genres, their impact on the formation of concert and chamber practices, and the specificities of conveying programmatic content through musical interpretation. The importance of instrumental dialogue as one of the central themes in Piazzolla’s music and its significance for the development of modern musical interpretation is emphasized.The aim of this article. The aim of this article is to explore the peculiarities of performance strategies in Astor Piazzolla’s works, particularly in the context of chamber and concert genres. The focus is on the instrumental dialogue, which is one of the central themes in the composer’s work, as well as the specifics of the guitar’s interaction with other instruments. Performance strategies and interpretational approaches to Histoire du Tango and Double Concerto are analyzed, particularly in terms of instrumental interaction and the conveyance of programmatic content. Special attention is paid to the impact of these works on modern performance practice and their role in the development of musical culture.Scientific novelty. This article presents a comprehensive study of performance strategies in Astor Piazzolla’s music, combining the analysis of instrumental dialogue with the musical and stylistic aspects of his chamber and concert works. For the first time, performance approaches to Histoire du Tango and Double Concerto are systematized, with a focus on the peculiarities of interpretation arising from the interaction of the guitar with other instruments, such as the flute, bandoneon, and strings. The article emphasizes the specificity of conveying programmatic content through instrumental dialogues and performance strategies that reflect the characteristic features of Piazzolla’s style. Special attention is given to the analysis of modern trends in interpreting Piazzolla’s music, including innovative approaches to performance and their contribution to the development of contemporary musical culture.

Item Type:	Article
Uncontrolled Keywords:	Astor Piazzolla’s music; instrumental dialogue; performance strategies; chamber genres; concert forms; Histoire du Tango; Double Concerto; guitar; flute; bandoneon; string instruments; interpretation; programmatic content; modern performance practice; musical interpretation; musical culture; innovative approaches to performance
Subjects:	Статті у періодичних виданнях > Фахові (входять до переліку фахових, затверджений МОН)
Divisions:	Факультет музичного мистецтва і хореографії > Кафедра інструментально-виконавської майстерності
Depositing User:	Викладач Станіслав Павлович Гумінюк
Date Deposited:	22 Sep 2025 13:16
Last Modified:	22 Sep 2025 13:16
URI:	https://elibrary.kubg.edu.ua/id/eprint/53171

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