Decorative and example art in the creativity of Tatyana Yablonskaya: on the materials of her diary

Школьна, Ольга Володимирівна and Буйгашева, Алла Борисівна and Опанасюк, Олександр Петрович (2022) Decorative and example art in the creativity of Tatyana Yablonskaya: on the materials of her diary Актуальні питання гуманітарних наук: міжвузівський збірник наукових праць молодих вчених Дрогобицького державного педагогічного університету імені Івана Франка, 3 (56). pp. 82-86. ISSN 2308-4855

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Abstract

The work of the outstanding artist of the 20th – early 21st century Tatyana Nilovna Yablonskaya (1917–2005) is a separate page of Russian art. On the one hand, the artist’s achievements are rooted in the spiritual culture of the early 20th century, including the influence of her grandfather Alexander, an archpriest, her father Nil, a teacher of art disciplines, her mother, a French teacher for high school students, ornamental teachers and colorists like Fyodor Krichevsky, and avant-garde boychukists like Abram Cherkassky and Kostya Eleva. On the other hand, the formation of the artistic universe of the talented Tatyana Yablonskaya was influenced by personal vacations and studios, as well as immersion in the material world of works of arts and crafts and sacred art, since the artist was constantly engaged in self-development, deepening into the essence of «color lights» and traditional forms of various types of art. So, if we take a retrospective look at the sources of enrichment of the spiritual and plastic worlds of Tatyana Nilovna, it becomes clear that she was interested in tonal and contrast transitions in the works of Kievan Russian mosaics from St. Sophia of Kyiv and St. Michael's Golden-Domed Cathedral. Being from a family of representatives of the church clergy (all her ancestors from her father's family served as clerks in churches), where church music, singing and spiritual texts constantly sounded from childhood, she easily thought about the plots of the Eucharist, liturgy, etc., saints, as well as issues of synesthesia (sensation of musical rhythms in color). This knowledge, which was eradicated, for example, in a cohort of boychukists, over time, she supplemented with a deep study of the pearls of the world's decorative and applied, fine arts, sculpture and architecture of European countries. Since the middle of the 20th century, she had the opportunity to visit them in connection with creative plein-airs and the study, for example, of the Italian classics, and thus, independently approached by combining in her further work the canons of high art from the era of pure Renaissance to academism, as well as form-creative and ornamental perception of certain stable images of arts and crafts: ceramics, glass, porcelain, textiles (shawls, folk clothes, tapestries), didukhs, etc

Item Type:	Article
Uncontrolled Keywords:	Kievan Russian art; fine arts; arts and crafts; second half of the 20th – early 21st centuries.
Subjects:	Це архівна тематика Київського університету імені Бориса Грінченка > Статті у наукометричних базах > Index Copernicus Це архівна тематика Київського університету імені Бориса Грінченка > Статті у журналах > Фахові (входять до переліку фахових, затверджений МОН)
Divisions:	Це архівні підрозділи Київського університету імені Бориса Грінченка > Факультет музичного мистецтва і хореографії > Кафедра музикознавства та музичної освіти Це архівні підрозділи Київського університету імені Бориса Грінченка > Факультет образотворчого мистецтва і дизайну > Кафедра образотворчого мистецтва
Depositing User:	Анна Миколаївна Гунька
Date Deposited:	14 Mar 2023 09:27
Last Modified:	14 Mar 2023 09:27
URI:	https://elibrary.kubg.edu.ua/id/eprint/44384

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