Неможливість музики війни: трагедія захисників Азовсталі у драмі Інни Гончарової «Трубач»

Бондарева, Олена Євгенівна (2024) Неможливість музики війни: трагедія захисників Азовсталі у драмі Інни Гончарової «Трубач» Studia Polsko-Ukraińskie (11). с. 203-214. ISSN 2353-5644; 2451-2958

Текст O_Bondareva_SPU_11_FUFKM.pdf Download (110kB)

Анотація

The article is devoted to Inna Goncharova’s play «The Trumpeter», created immediately after the wounded fighters of the Azov regiment, who held the defense from March 18 to May 20, 2022, in the occupied Ukrainian Mariupol, stopped resisting and surrendered as prisoners. The author creates a text designed for one actor for the Kyiv non-governmental theater MaskamRad. In the center of her work is a musician from a military band who got into the war quite by accident. In the play, there is a full-fledged aesthetic development of the closed space of the dungeon of the Azovstal industrial enterprise, where the defenders of Mariupol and civilians are located. However, this space ceases to be safe for people against whom combat aircraft and powerful artillery are continuously used, so the play has a constant explosive soundtrack, which the protagonist tries to translate into music to create a Symphony of War: for him as a man of art, who does not know much about geopolitics, it is seen as almost the only way to understand this war and one's place in it. But in truth it turns out that it is impossible to create a symphony from the destructive reality, from the blood and suffering of Ukrainians. The existence of people in the basements of Azovstal activates their communication – it turns out that, having spent so much time together, they know practically nothing about each other. Instead, the impromptu symphonic overture comes from the protagonist's warm memories of his native city of Kyiv, in which his interlocutor has never been. It is important that the play shows the Azovians as people of different nationalities who consider themselves Ukrainians at the level of citizenship, not ethnicity, which refutes the key thesis of Russian propaganda about the Nazis-Azovs. Plays such as «The Trumpeter» must be translated into different languages and staged in different countries of the world, because hundreds of Azov citizens are still waiting for their release from Russian captivity, and no international organization was allowed to the site of the execution of prisoners from the Azov regiment by the Russians in colony in Olenivka. I hope that the play will attract attention outside of Ukraine, and its actualization will contribute to international support for the need to liberate these Ukrainian heroes.

Тип елементу :	Стаття
Ключові слова:	war; Mariupol; monodrama; memory; Ukrainian identity
Типологія:	Статті у базах даних > Index Copernicus
Підрозділи:	Факультет української філології, культури і мистецтва > Кафедра української літератури, компаративістики і грінченкознавства
Користувач, що депонує:	Олена Бондарева Бондарева
Дата внесення:	18 Лист 2024 13:10
Останні зміни:	18 Лист 2024 13:10
URI:	https://elibrary.kubg.edu.ua/id/eprint/50248

Actions (login required)

Перегляд елементу