Методика перекладання естрадно-джазового твору для виконання дуету (акордеон та альт-саксофон) у стилі самба

Стрельченко, Костянтин Мартинович and Дидикіна, Наталія Олександрівна (2025) Методика перекладання естрадно-джазового твору для виконання дуету (акордеон та альт-саксофон) у стилі самба М-во культури та стратегічних комунікацій України (89). pp. 62-74.

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Abstract

The purpose of the article. The article discusses methods of increasing the popularity rating of an accordion musical instrument (hereinafter including a bayan as well) among young people, prospective students, students, fans of this instrument by expanding the stylistic diversity of the accordionist’s concert programme (hereinafter including a bayan-player as well) through adding light music and ensemble play. This approach is one of the key ways to popularize the instrumental and performing skills of this genre. The article draws attention to creative searches in the fi eld of interpretation of jazz arrangements and performance of famous stars of the jazz-accordion scene. Also, the methods of arrangement are disclosed in detail by comparing the texture of the accompaniment of a solo performance with playing in an ensemble. The methodology of the theoretical analysis. New developments of the arrangement of the directly accompanying component when playing the accordion with the left hand in the standard bass system of the left keyboard S.B. are suggested based on the study of creative works of world-famous accordionists, such as: Frank Marocco (the USA), Johnny Meijer (the Netherlands), Van Damme (the USA); other musicians: Chick Corea (the USA), Joe Pass (the USA). The results. The historical fact is taken into account that the accordion is a fairly young instrument as compared to many traditional ones, such as the grand piano, of the violin, wind, percussion family, organ, etc., and (song and dance genres were the main sources of formation of the accordion repertoire). It is proved that if the evolutionary development of the instrument design was intended for performing cheerful and lyrical folk songs and dances, which can be interpreted as entertainment music, just as pop and jazz genres, the accordion was, since its invention, a musical instrument of a light genre and is always able to interest more music lovers. The scientific novelty of the research. The article also focuses on the issue of comfortable sounding when combining accordion timbres with alto saxophone and recommends the technique of practical arrangement and adaptation for instrumental concert performance of one of the most famous hits of the vocal genre of Tony Renis, the Italian composer, singer, and guitarist — “Quando Quando Quando” song in the Latin American samba style. Adaptation is done directly for a duet of musical instruments (accordion and alto saxophone), taking into account the participation of other solo performers, if desired. The article discusses the solution to the problem of using noise effects in the musical repertoire, which is an appropriate means to show the stylistic features of the light music genre. The practical significance of the article lies in revealing the importance of the technique of transcription and arrangement in order to increase the popularity of the accordionist’s repertoire.

Item Type:	Article
Uncontrolled Keywords:	adaptation; accordion; bayan; alto saxophone; jazz; variety; arrangement; popularity
Subjects:	Статті у періодичних виданнях > Фахові (входять до переліку фахових, затверджений МОН)
Divisions:	Факультет музичного мистецтва і хореографії > Кафедра інструментально-виконавської майстерності
Depositing User:	Костянтин Мартинович Стрельченко
Date Deposited:	30 Jun 2025 19:39
Last Modified:	30 Jun 2025 19:39
URI:	https://elibrary.kubg.edu.ua/id/eprint/52287

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